:

DE sign:
(Deconstructing in-order to find new meanings)

A blogging space about my personal interests; was made during training in Stockholm #Young Leaders Visitors Program #Ylvp08 it developed into a social bookmarking blog.

I studied #Architecture; interested in #Design #Art #Education #Urban Design #Digital-media #social-media #Inhabited-Environments #Contemporary-Cultures #experimentation #networking #sustainability & more =)


Please Enjoy, feedback recommended.

p.s. sharing is usually out of interest not Blind praise.
This is neither sacred nor political.

Showing posts with label #female. Show all posts
Showing posts with label #female. Show all posts

Sunday, May 1

Dame Z

Tribute to Zaha




Dame Zaha Mohammad HadidDBE (Arabicزها حديد‎ Zahā Ḥadīd; 31 October 1950 – 31 March 2016) was an Iraqi architect. She was the first woman and the first Muslim to receive the Pritzker Architecture Prize, winning it in 2004. She received the Stirling Prizein 2010 and 2011. In 2012, she was created a Dame Commander of the Order of the British Empire and in 2015 she became the first woman to be awarded the RIBA Gold Medal in her own right.[1]
Hadid liberated architectural geometry[2] with the creation of highly expressive, sweeping fluid forms of multiple perspective points and fragmented geometry that evoke the chaos and flux of modern life.[3] A pioneer of parametricism, and an icon ofneo-futurism, with a formidable personality, her acclaimed work and ground-breaking forms include the aquatic center for the London 2012 Olympics, the Broad Art Museumin the U.S., and the Guangzhou, China opera house.[4]
On 31 March 2016, Hadid died of a heart attack in a Miami hospital, where she was being treated for bronchitis.[5][6]

http://www.zaha-hadid.com/






BMW Central Building © CNN from Zaha Hadid Architects on Vimeo.



Venice Biennale Theme ‘Common Ground’ Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.

Born in Baghdad Iraq in 1950, Zaha Hadid commenced her college studies at the American University in Beirut, in the field of mathematics. She moved to London in 1972 to study architecture at the Architectural Association and upon graduation in 1977, she joined the Office of Metropolitan Architecture (OMA). She also taught at the Architectural Association (AA) with OMA collaborators Rem Koolhaas and Elia Zenghelis.
She began her own practice in London in 1980 and won the prestigious competition for the Hong Kong Peak Club, a leisure and recreational center in 1983. Painting and drawing, especially in her early period, are important techniques of investigation for her design work. Ever since her 1983 retrospective exhibition at the AA in London, her architecture has been shown in exhibitions worldwide and many of her works are held in important museum collections.
Known as an architect who consistently pushes the boundaries of architecture and urban design, her work experiments with new spatial concepts intensifying existing urban landscapes and encompassing all fields of design, from the urban scale to interiors and furniture.
She is well-known for some of her seminal built works, such at the Vitra Fire Station (1993), Weil am Rhein, Germany, the Mind Zone at the Millennium Dome (1999) Greenwich, UK, a ski jump (2002) in Innsbruck, Austria and the Rosenthal Center for Contemporary Art (2003) in Cincinnati, Ohio. Parallel with her private practice, Hadid has continued to be involved in academics, holding chairs and guest professorships at Harvard University, Yale University, the University of Illinois at Chicago, Columbia University, the University of Visual Arts in Hamburg and the University of Applied Arts in Vienna.



Sleuk Rith  Institute Cambodia from Zaha Hadid Architects on Vimeo.




Parametric Space - teaser from Kollision on Vimeo.
Zaha Hadid Architects [http://www.zaha-hadid.com] are working with design office Kollision [http://kollision.dk], CAVI [http://cavi.au.dk] and Wahlberg [http://www.wahlberg.dk] to create the interactive installation 'Parametric Space' for the exhibition 'Zaha Hadid - World Architecture' at the Danish Architecture Centre [http://www.dac.dk] 29 June - 29 September 2013. The installation is a fully parametric space that will react on visitors movements - in shape and expression.

The exhibition has been developed by Zaha Hadid Architects in collaboration with the Danish Architecture Centre, supported by Realdania and Kvadrat.


See the final installation here: https://vimeo.com/69356542

For more information see kollision.dk/en/parametric

Furthermore see the following link for more media architecture projects from Kollision: vimeo.com/album/1809263


Cincinnati Arts Centre © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.



Mathematics Gallery at the Science Museum, London from Zaha Hadid Architects on Vimeo.




New National Stadium Video Presentation from Zaha Hadid Architects on Vimeo.
Zaha Hadid Architects welcomes a new bidding process for the New National Stadium in order to reduce costs and ensure value for money in terms of quality, durability and long-term sustainability. This video presentation and report outlines in detail the unique design for the New National Stadium which has been thoughtfully developed over two years to be the most compact and efficient stadium for this very special location in Tokyo.


Designed by Zaha Hadid Architects and our Japanese partners, the New National Stadium contains all the knowledge and expertise gained from the team’s direct experience of other Olympic, World Cup and World Championship stadia. The substantial investment in time, effort and resources already made by the Government and people of Japan into the existing team over the past two years ensures the New National Stadium can be completed in time to welcome the world to Japan in 2019 ahead of the Tokyo 2020 Olympic and Paralympic Games, and become a new home for sport for many future generations of Japan’s athletes, sportsmen and women.


Global Cities at the Tate Modern © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.




Inside the Eli and Edythe Broad Art Museum at Michigan State University from Zaha Hadid Architects on Vimeo.

Michigan State University's Eli and Edythe Broad Art Museum opened at MSU on November 10, 2012. Here's MSU University Advancement's sneak peak look inside at the November 9 media preview.


JS Bach / Zaha Hadid Architects Music Hall © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.




Edifici Torre Espiral © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.




Spittelau Viaducts Housing Project © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.





Salerno Maritime Terminal © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.


Habitable Bridge over the River Thames © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.




Z-Car © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.

Essay


The Architecture of Zaha Hadid 
By Joseph Giovannini
Architect and Critic
"Very few buildings can stand up to the Alps without retreating into modesty, but Zaha Hadid’s dynamic and lyrical Bergisel Ski Jump in Innsbruck, Austria, completed in 2002, confronts the surrounding mountains with an equivalent architectural majesty. At the top of a hill, the structure occupies the sky, a free-standing silhouette. Within the bowl of a valley ringed by hills and vertiginous mountains, the turning form of the clubhouse seems to gather and funnel the aerial energy of the mountainscape to the long, bowed ramp that lofts jumpers toward the city below. Hadid designed the sweeping structure from top to bottom as one fluid gesture that both summarizes the surrounding landscape in a sweep of movement, and sends skiers down a jump conceived in an act of fluid geometric empathy akin to flight.As in Michelangelo’s Sistine Ceiling, where God nearly touches Adam’s hand to spark life, Hadid has provided the index finger that makes a visual connection between the sky and the ground. Here the spark of life is completed in the jump. The sensuous forms visualize and poeticize the leap, spiraling the mountainscape, sky and ground into a fluid continuum.
Air is Hadid’s element: she floats buildings that reside aloft. At a time, in the early 1980s, when architects were concerned about manifesting the path of gravity through buildings, Hadid invented a new anti-gravitational visual physics. She suspended weight in the same way dramatists suspend disbelief. In 1983, she won a much-published international competition for a sports club on the Peak above Hong Kong with a crystalline structure that seemed to explode from the mountainside, creating in the fragmentary fall-out a structure that evaded any sense of a unitary whole. Eruption rather than gravity was the defining force directing the path of a building that thrived in the air. Floor planes were no longer extruded up from a single foundation, stacked atop one another, but beamed out in different directions, shifting as they rose in a complex section. A highway curved through the building in the space between the splayed, airborne volumes.
Historically, the proposal broke new ground in the field, and did so radically. As original to architecture as the twelve-tone scale once was to music, the design represented architecture of a wholly different and very unexpected order. Whatever the metaphor—explosion, implosion, fragmentation—the design favored open forms rather than closed, hermetic volumes; it offered breathing porosity rather than sealed fortification. The design quickly proved a foundational thesis for architecture, an unexpected precedent for shifting Modernism’s paradigm from simplicity to complexity. The theory behind the building moved away from modernism’s ideas of mass production, received typologies and the normative, to a more complex order of a kind that privileged the unique and the fragmentary. The scheme signaled a shift in sensibilities not only from truisms of the past but also from set tenets of industrial modernism, toward an indeterminate complexity sited on shifting ground somewhere between order and chaos.
In the 1980s, many people mistakenly believed that the Peak was influenced by the use of the computer. But the influence was historical, and in the context of the Pritzker Prize, awarded this year in St. Petersburg, coincidental. The imperial Russian capital was the seat of the Russian Avant-Garde artists who inspired Hadid very early in her career.
Vladimir Malevich, who pursued a mystic fourth dimension in his paintings and architectural schemes, had studied here, and he and his pupil El Lissitzky embarked on a remarkable journey into spatial mystery in the 1910s and ’20s. Their promising experiments were aborted by a Soviet state that adopted Soviet Realism in art as official policy, and a bombastic version of classicism in architecture.The flame of discovery went out for decades.
In the 1970s, however, Hadid, a student at the Architectural Association in London, took Malevich’s abstract compositions and, giving them scale and function, turned them into architectural projects that gave life again to the vision. Courageously she set off on a course to realize ideas, such as fragmentation and layering, never built by the Suprematists themselves. Inspired by Malevich’s ethereal paintings, she took up the brush as a design tool, and for her, painted tableaux became a locus of spatial invention. With this methodology, applied in the elusive pursuit of almost intangible form, she escaped the prejudice latent in such design tools as the T-square and parallel rule, traditionally used by architects. Hadid came off the drawing boards, much as Frank Gehry did when, influenced by artists, he left behind the usual drawings to conceive his buildings sculpturally, often with his hands. Hadid abandoned the regularity of the T-square and parallel rule in buildings emancipated from the right angle..."
http://www.pritzkerprize.com/sites/default/files/file_fields/field_files_inline/2004_essay_0.pdf


About Us - Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.





Madrid Civil Courts of Justice © Zaha Hadid Architects from Zaha Hadid Architects on Vimeo.


(CNN) Frank Gehry: "She was a great architect and a great friend. I will miss her."
Richard Rogers: "Zaha Hadid was a radical genius -- an architect far ahead of her time. I loved Zaha and will miss her"
Norman Foster: "I think it was Zaha's triumph to go beyond the beautiful graphic visions of her sculptural approach to architecture into reality that so upset some of her critics. She was an individual of great courage, conviction and tenacity. It is rare to find these qualities tied to a free creative spirit. That is why her loss is so profound and her example so inspirational. And, besides, she was my dear friend."

A tribute to Zaha Hadid RA: 1950–2016


Published 31 March 2016

One of the world’s greatest architects, Zaha Hadid inspired a generation. Following the sad news of her death, the RA’s Head of Architecture and two fellow architects reflect on a visionary career.




  • Zaha Hadid RA sadly died in Miami following a heart attack on Thursday 31 March, aged 65. Announcing the news, the President of the Royal Academy, Christopher Le Brun, said: “We are shocked and saddened by the news of the passing of Dame Zaha Hadid RA. She was a visionary architect who has inspired a generation and this is a great loss for the world of architecture.” Here, Kate Goodwin, Alan Stanton RA and Peter Cook RA pay tribute.
  • Kate Goodwin, RA Head of Architecture





    The news of Zaha Hadid RA’s sudden death in Miami has sent ripples across the world. Her influence and renown stretched far beyond the architectural community, with her buildings – perhaps most famously, London’s Olympic Aquatic Centre – capturing popular imagination. This Iraq-born architect inspired first with her paintings and drawings, and when she was finally given the opportunity to build she produced work which was truly visionary.
    Her architecture is keenly intellectual and equally emotionally and creatively charged. Elected a Royal Academician in 2005, she is pioneering figure; the only woman to receive the Pritzker Prize (2004) and the RIBA Gold Medal this year, again the first time to a woman in her own right. As fellow Academician and long-time friend Peter Cook said in his Gold Medal citation of Zaha, she was “larger than life, bold as brass and certainly on the case. Our Heroine.”
  • Alan Stanton RA, architect and Chair of the Architecture Committee

    Zaha Hadid was a force of nature. Her creative power and strong personality pushed architecture into a new territory that, not only produced seminal buildings, but raised public awareness and encouraged debate about the very nature of architecture.
    Although Zaha had the courage to work “on the edge” of mainstream architecture (which she freely admitted was the best place to be) over recent years her practice received an increasing number of accolades and important commissions and she was building more and more. The news of her death will have come as a profound shock to architects everywhere and her presence within the world of architecture will be hugely missed.

Peter Cook RA, architect





Peter Cook RA wrote the following tribute in February, when Hadid was presented with the RIBA’s 2016 Royal Gold Medal.
In our current culture of ticking every box, surely Zaha Hadid succeeds, since (to quote the Royal Gold Medal criteria) she is someone “who has made a significant contribution to the theory or practice of architecture… for a substantial body of work rather than for work which is currently fashionable.” Indeed her work, though full of form, style and unstoppable mannerism, possesses a quality that some of us might refer to as an impeccable “eye”: which we would claim is a fundamental in the consideration of special architecture and is rarely satisfied by mere “fashion”.
And surely her work is special. For three decades now, she has ventured where few would dare: if Paul Klee took a line for a walk, then Zaha took the surfaces that were driven by that line out for a virtual dance and then deftly folded them over and then took them out for a journey into space. In her earlier, “spiky” period there was already a sense of vigour that she shared with her admired Russian Suprematists and Constructivists – attempting with them to capture that elusive dynamic of movement at the end of the machine age.
Necessarily having to disperse effort through a studio production, rather than being a lone artist, she cottoned–on to the potential of the computer to turn space upon itself. Indeed there is an Urban Myth that suggests that the very early Apple Mac “boxes” were still crude enough to plot the mathematically unlikely – and so Zaha with her mathematics background seized upon this and made those flying machine projections of the Hong Kong Peak project and the like. Meanwhile, with paintings and special small drawings Zaha continued to lead from the front. She has also been smart enough to pull in some formidable computational talent without being phased by its ways.
Thus the evolution of the “flowing” rather than spikey architecture crept up upon us in stages, as did the scale of her commissions, but in most cases, they remained clear in identity and control. When you entered the Fire Station at Vitra, you were conscious of being inside one of those early drawings and yes, it could be done. Yet at perhaps its highest, those of us lucky enough to see the Heydar Aliyev Center in Baku in the flesh, can surely never have been in such a dream-like space, with its totality, its enormous internal ramp and dart-like lights seeming to have come from a vocabulary that lies so far beyond the normal architecture that we assess or rationalise.

Sunday, December 4

Narrating The ArabSpring


Call For Papers:   Narrating The Arab Spring > AWID

Friday, October 7

X Inventions

Originally Published

http://science.howstuffworks.com/innovation/inventions/10-things-that-women-invented.htm



Top 10 Things That Women Invented




At the end of the 20th century, only 10 percent of all patents were awarded to female inventors [source: Bedi]. When you compile a list of the most famous inventions of the past few centuries, few women will show up as the creators of those items. 

It's not that women lack ingenuity or a creative spirit, though; it's just that women have faced many hurdles in receiving credit for their ideas.

Take the case of Sybilla Masters, a woman who lived in the American colonies. After observing Native American women, she came up with a new way to turn corn into cornmeal. She went to England to obtain a patent for her work, but laws at the time stipulated that women couldn't own property, which included intellectual property like a patent. Such property was considered to be owned by the woman's father or husband. In 1715, a patent for Sybilla Masters' product was issued, but the name on the document is that of her husband, Thomas.
Such property laws prevented many women from acquiring patents for inventions several centuries ago. 

Women were also less likely to receive a technical education that would help them turn an ingenious idea into an actual product. 

Many women faced prejudice and ridicule when they sought help from men in actualizing their idea. 

And some women came up with ideas that would improve life in their households, only to see their inventions treated with scorn for being too domestic and thus unworthy of praise..
Mary Kies was the first American woman to earn a patent in her own name. In 1809, she developed a way of weaving straw into hats that was an economic boon for New England. By receiving that piece of paper with her name on it, Kies led the way for other female inventors to take credit for their ideas. In this article, we'll salute 10 things invented by women.

10: Circular Saw

In the late 18th century, a religious sect known as the Shakers emerged. Shakers valued living communally (albeit celibately), equality between the sexes and hard work. Tabitha Babbitt lived in a Shaker community in Massachusetts and worked as a weaver, but in 1810, she came up with a way to lighten the load of her brethren. She observed men cutting wood with a pit saw, which is a two-handled saw that requires two men to pull it back and forth. Though the saw is pulled both ways, it only cuts wood when it's pulled forward; the return stroke is useless. To Babbitt, that was wasted energy, so she created a prototype of the circular saw that would go on to be used in saw mills. She attached a circular blade to her spinning wheel so that every movement of the saw produced results. Because of Shaker precepts, Babbitt didn't apply for a patent for the circular saw she created.

9: Chocolate Chip Cookies

There is no doubt that many treasured recipes came about through accidental invention in the kitchen, but we must single out one of the most enduring -- and delicious -- of these recipes: the chocolate chip cookie.
Ruth Wakefield had worked as a dietitian and food lecturer before buying an old toll house outside of Boston with her husband. Traditionally, toll houses were places weary travelers paid their road tolls, grabbed a quick bite and fed their horses. Wakefield and her husband converted the toll house into an inn with a restaurant. One day in 1930, Wakefield was baking up a batch of Butter Drop Do cookies for her guests. The recipe called for melted chocolate, but Wakefield had run out of baker's chocolate. She took a Nestle chocolate bar, crumbled it into pieces and threw it into her batter, expecting the chocolate pieces to melt during baking. Instead, the chocolate held its shape, and the chocolate chip cookie was born.
Nestle noticed that sales of its chocolate bars jumped in Mrs. Wakefield's corner of Massachusetts, so they met with her about the cookie, which was fast gaining a reputation among travelers. At Wakefield's suggestion, they began scoring their chocolate (cutting lines into the bar that allow for easier breaking) and then, in 1939, they began selling Nestle Toll House Real Semi-Sweet Chocolate Morsels. The Wakefield cookie recipe was printed on the back of the package; in exchange, Ruth Wakefield received free chocolate for life.

8: Liquid Paper

Bette Nesmith Graham was not a very good typist. Still, the high school dropout worked her way through the secretarial pool to become the executive secretary for the chairman of the board of the Texas Bank and Trust. It was the 1950s, and the electric typewriter had just been introduced. Secretaries often found themselves retyping entire pages because of one tiny mistake, as the new model's carbon ribbon made it difficult to correct errors.
One day, Graham watched workers painting a holiday display on a bank window. She noticed that when they made mistakes, they simply added another layer of paint to cover them up, and she thought she could apply that idea to her typing blunders. Using her blender, Graham mixed up a water-based tempera paint with dye that matched her company's stationary. She took it to work and, using a fine watercolor brush, she was able to quickly correct her errors. Soon, the other secretaries were clamoring for the product, which Graham continued to produce in her kitchen. Graham was fired from her job for spending so much time distributing what she called "Mistake Out," but in her unemployment she was able to tweak her mixture, rename the product Liquid Paper and receive a patent in 1958. Even though typewriters have been replaced by computers in many offices, many people still have a bottle or two of that white correction fluid on hand.

7: The Compiler and COBOL Computer Language

When we think about advancements in computers, we tend to think about men like Charles Babbage, Alan Turing and Bill Gates. But Admiral Grace Murray Hopper deserves credit for her role in the computer industry. Admiral Hopper joined the military in 1943 and was stationed at Harvard University, where she worked on IBM's Harvard Mark I computer, the first large-scale computer in the United States. She was the third person to program this computer, and she wrote a manual of operations that lit the path for those that followed her. In the 1950s, Admiral Hopper invented the compiler, which translates English commands into computer code. This device meant that programmers could create code more easily and with fewer errors. Hopper's second compiler, the Flow-Matic, was used to program UNIVAC I and II, which were the first computers available commercially. Admiral Hopper also oversaw the development of the Common Business-Oriented Language (COBOL), one of the first computer programming languages. Admiral Hopper received numerous awards for her work, including the honor of having a U.S. warship named after her.

6: Colored Flare System

When Martha Coston was widowed in 1847, she was only 21 years old. She had four children to support, but she hadn't a clue about how to do so. She was flipping through her dead husband's notebooks when she found plans for a flare system that ships could use to communicate at night. Coston requested the system be tested, but it failed.
Coston was undeterred. She spent the next 10 years revising and perfecting her husband's design for a colored flare system. She consulted with scientists and military officers, but she couldn't figure out how to produce flares that were bright and long-lasting while remaining easy to use at the spur of the moment. One night she took her children to see a fireworks display, and that's when she hit upon the idea of applying some pyrotechnic technology to her flare system. The flare system finally worked, and the U.S. Navy bought the rights. The Coston colored flare system was used extensively during the Civil War.
Unfortunately, the flare system wasn't the best way for Coston to support her family. According to military documents, Coston produced 1,200,000 flares for the Navy during the Civil War, which she provided at cost. She was owed $120,000, of which she was only paid $15,000; in her autobiography, Coston attributed the Navy's refusal to pay to the fact that she was a woman [source: Pilato].

5: The Square-bottomed Paper Bag

Margaret Knight didn't invent the paper bag, but those first paper bags weren't all that useful for carrying things. They were more like envelopes, so there was no way they'd become the grocery store staple that they are today. For that, we have to thank Knight. Knight realized that paper bags should have a square bottom; when weight was distributed across the base in this way, the bags could carry more things.
In 1870, she created a wooden machine that would cut, fold and glue the square bottoms to paper bags. While she was working on an iron prototype of the machine to use for her patent application, she discovered that her design had been stolen by a man named Charles Annan, who had seen her wooden machine a few months earlier. She filed a patent interference suit against Annan, who claimed that there was no way that a woman could have developed such a complex machine. Knight used her notes and sketches to prove otherwise, and she was granted the patent for the device in 1871.
That was hardly Knight's first patent, though. At the age of 12, Knight had developed a stop-motion device that would automatically bring industrial machines to a halt if something was caught on them, which prevented many injuries; all told, Knight was awarded more than 20 patents.

4: Dishwasher

You might think that the first dishwasher was invented by someone who spent years washing dishes, bemoaning the wasted time and the dishpan hands. Actually, Josephine Cochrane, who received the patent for the first working dishwasher, didn't spend that much time washing dishes. The real impetus for her invention was frustration over her servants breaking her heirloom china after fancy dinners.
Cochrane was a socialite who loved to entertain, but after her husband died in 1883, she was left with massive debt. Rather than selling off that beloved china, she focused on building a machine that would wash it properly. Her machine relied upon strong water pressure aimed at a wire rack of dishes, and she received a patent for the device in 1886. Cochrane claimed that inventing the machine was nowhere near as hard as promoting it [source: Lienhard]. At first, the Cochrane dishwasher tanked with individual consumers, as many households lacked the hot water heaters necessary to run it, and those that had the capacity balked at paying for something that housewives did for free. Undaunted, Cochrane sought appointments with large hotels and restaurants, selling them on the fact that the dishwasher could do the job they were paying several dozen employees to do. In time, however, more households acquired the device as greater numbers of women entered the workplace.

3: Windshield Wiper

At the dawn of the 20th century, Mary Anderson went to New York City for the first time. She saw a much different New York City than the one tourists see today. There were no cabs honking, nor were there thousands of cars vying for position in afternoon traffic. Cars had not yet captured the American imagination and were quite rare when Anderson took that trip, but the woman from Alabama would end up inventing something that has become standard on every automobile. During her trip, Anderson took a tram through the snow-covered city.
She noticed that the driver had to stop the tram every few minutes to wipe the snow off his front window. At the time, all drivers had to do so; rain and snow were thought to be things drivers had to deal with, even though they resulted in poor visibility. When she returned home, Anderson developed a squeegee on a spindle that was attached to a handle on the inside of the vehicle. When the driver needed to clear the glass, he simply pulled on the handle and the squeegee wiped the precipitation from the windshield. Anderson received the patent for her device in 1903; just 10 years later, thousands of Americans owned a car with her invention.

2: Nystatin

Long-distance romantic relationships are often troubled, but Rachel Fuller Brown and Elizabeth Lee Hazen proved that long-distance professional relationships can yield productive results. Both Brown and Hazen worked for the New York State Department of Health in the 1940s, but Hazen was stationed in New York City and Brown was in Albany. Despite the miles, Brown and Hazen collaborated on the first successful fungus-fighting drug.
In New York City, Hazen would test soil samples to see if any of the organisms within would respond to fungi. If there was activity, Hazen would mail the jar of soil to Brown, who would work to extract the agent in the soil that was causing the reaction. Once Brown had found the active ingredient, it went back in the mail to Hazen, who'd check it against the fungi again. If the organism killed the fungi, it would be evaluated for toxicity. Most of the samples proved too toxic for human use, but finally Brown and Hazen happened upon an effective fungus-killing drug in 1950. They named it Nystatin, after New York state. The medication, now sold under a variety of trade names, cures fungal infections that affect the skin, vagina and intestinal system. It's also been used on trees with Dutch elm disease and on artwork affected by mold.

1: Kevlar

It was just supposed to be a temporary job. Stephanie Kwolek took a position at DuPont in 1946 so she could save enough money to go to medical school. In 1964, she was still there, researching how to turn polymers into extra strong synthetic fibers. Kwolek was working with polymers that had rod-like molecules that all lined up in one direction.
Compared to the molecules that formed jumbled bundles, Kwolek thought the uniform lines would make the resulting material stronger, though these polymers were very difficult to dissolve into a solution that could be tested. She finally prepared such a solution with the rod-like molecules, but it looked unlike all the other molecular solutions she'd ever made. Her next step was to run it through the spinneret, a machine that would produce the fibers. However, the spinneret operator almost refused to let Kwolek use the machine, so different was this solution from all the others before; he was convinced it would ruin the spinneret.
Kwolek persisted, and after the spinneret had done its work, Kwolek had a fiber that was ounce-for-ounce as strong as steel. This material was dubbed Kevlar, and it's been used to manufacture skis, radial tires and brake pads, suspension bridge cables, helmets, and hiking and camping gear. Most notably, Kevlar is used to make bulletproof vests, so even though Kwolek didn't make it to medical school, she still saved plenty of lives.